As a masterclass in enchantment, Disney’s Aladdin brings the cherished animation to life with this spectacular stage adaptation. It’s a literal ball of energy, colour and spellbinding visual effects from curtain up to uproarious standing ovation.
At its heart is an immensely talented cast, each delivering a performance that is both technically flawless and deeply engaging. Gavin Adams as Aladdin brings the familiar “diamond in the rough” to life with a blend of boyish charm and sincerity; his clarity and emotional range shine through in numbers like Proud of Your Boy. Opposite him is Desmonda Cathabel as Jasmine, every bit the independent and spirited Disney princess. Her vocals are powerful and precise, resonating with a strength that complements the softer tones of Aladdin’s performance.
Alongside the central characters is the dynamic duo of Iago (Angelo Paragoso) and Jafar (Adam Strong) who add a pantomime-esque, comedic layer to the production. Jafar’s Machiavellian ambition is played with gravitas and a sharp sense of humour while his sidekick’s wit serves as the perfect foil to his brooding villainy.
However, no character steals the show quite like Yeukayi Ushe’s Genie. Dazzling bursts of energy, a whirlwind of charm, humour and boundless enthusiasm, comedic timing and vocal prowess transform every scene he is in into a joyous celebration. His rendition of Friend Like Me is a spectacle of song and dance, fusing Broadway flair with Disney’s signature sense of wonder, reimagined here with a freshness that feels utterly original.
Visually, the show is an absolute feast. Set designer Bob Crowley manages to create a Cave of Wonders that immerses the audience in a world of glittering treasure and hidden magic. The intricate detail and clever use of lighting bring this iconic scene to life in a way that is quite breath-taking. Similarly, the flying carpet sequence, set against a shimmering night sky, captures the sheer wonder of Aladdin’s most iconic moment. The seemingly effortless flight is a technical marvel, evoking genuine gasps of wonder. A mention too for the costumes, designed by Gregg Barnes, that immerse us in the rich, exotic world of Agrabah.
Beyond the special effects, the production excels in its ability to tap into the emotional core of the story. The universal themes of self-discovery, freedom and love combine with top tier choreography and music to bring a real sense of narrative cohesion. This is no mere retelling of a classic Disney film; it is an expansion of it, adding layers of character development and humour that make it feel fresh and contemporary while still retaining the essence of its big screen version.
For long-time Disney fans, the nostalgia factor is undeniable. But even for those less acquainted with the 1992 animation, this show offers much to enjoy – its spirit is infectious and its heart undeniable. It’s a testament to the enduring allure of fairy tales, and a reminder that sometimes we all need a little bit of Disney magic in our lives.
