After two hugely successful stints at Birmingham Rep, and direct from its award-winning success in the West End, Pride & Prejudice* (*sort of) returned with its refreshingly feisty retelling of Jane Austen’s novel. It’s an audacious adaptation, crafted by Isobel McArthur, that breathes new life into a much-loved classic, delivering an evening filled to the brim with non-stop wit and one-liners.
At its heart is an ensemble of just five female actors (Emma Rose Creaner, Naomi Preston-Low, Rhianna McGreevy, Christine Steel and Eleanor Kane) who masterfully portray a multitude of characters. Their seamless transitions between roles, from the frenetic Bennetts to the upper-class Bingleys, showcase their versatility, energy and flair to create a dynamic that captivates from start to finish.
The comedy is relentless, yet impeccable timed. It’s a little exhausting as you try to keep up with its rapid-fire dialogue, but the actors navigate the script with precision. The result is a sharply comedic tapestry that demonstrates a commendable level of synchronicity. Exaggerated gestures, playful interactions and inventive use of props amplify this: the portrayal of Mr Bennet as an empty armchair with an open newspaper is a recurring gag; while the parodies of Darcy and Lady Catherine de Bourgh underscore the absurdities and societal critiques in Austen’s original work.
It’s a bold romp, for sure, as it infuses the 19th-century setting with contemporary elements. A dialogue peppered with satirical observations, rather colourful language and karaoke-style songs such as You’re So Vain and Young Hearts Run Free add a delightful anachronistic twist and, for the most part, are cleverly integrated. Modern colloquialisms and references – including a box of Pringles and Doc Marten’s – make the story accessible, while occasional breaks in the fourth wall engage directly with the audience. A well-deserved standing ovation reflected an enthusiastic response to this fresh, engaging and thoroughly enjoyable theatrical experience.
