This revival of the iconic 1975 musical takes audiences behind the scenes of a Broadway audition. Set on a bare stage, it centres around 17 dancers competing for just eight spots in the chorus line of a new musical. Over the course of the show, the director Zach (Adam Cooper), pushes the performers to share their personal stories, hopes, dreams and fears, providing a rare glimpse into the lives of the individuals who are often just faces in the background.
The storyline is relatively simple, yet compelling. As one by one they open up, we learn about their personal struggles and diverse backgrounds. There’s former featured dancer Cassie (Carly Mercedes Dyer), who once had a relationship with Zach and is now auditioning for a chorus role; sassy Sheila (Amy Thornton), whose tough exterior hides her vulnerable side; and Paul (Manuel Pacific), a sensitive soul with a deeply moving story of self-acceptance and survival. Each is given their moment in the spotlight to reveal their inner world and inner demons, resulting in a rich tapestry of human experiences.
From last night’s audience and standing ovation, A Chorus Line certainly retains its core appeal, but there are a few moments when the subject matter feels slightly uncomfortable in today’s context. The portrayal of LGBTQ+ characters, for example, reflects social norms of the Seventies that no longer align with contemporary perspectives on diversity and inclusion. Additionally, the treatment of women as objects can feel old-fashioned at times, and certain remarks and dynamics echo a period when gender roles were more rigidly defined. Having said that, they can serve as a reminder of how far society has come in the decades since the musical first premiered.
Ultimately, A Chorus Line remains an dazzling experience, and that’s down to a high-energy, super talented cast who bring the characters, music and dance numbers to life with precision and passion. The ensemble’s chemistry is palpable, and their dance numbers – choreographed by Ellen Kane – are packed to the brim with vibrancy and intensity.
Standouts for me? The big-hitter What I Did for Love, performed by Jocasta Almgill as Dianan Morales, is a beautifully poignant moment. And of course the closing number, One, is particularly fabulous – a synchronised display of what it means to be a part of a chorus line, capturing both the thrill and the hard work that defines the world of musical theatre.
Overall, it’s a celebration of the dedication, dreams and resilience of performers. And its heart, energy and talent make for a compelling and memorable night at the theatre.
